Jessica’s work navigates the blindness of an anthropocentric society; where conflicts of natural and artificial, animate and inanimate, technology, machine and body come into question. Curious critters appear in surreal landscapes, with a sci-fi aesthetic that exposes a certain agency and unravelling of the potential of disorientation. Her work is intuitive and playful, using a range of everyday materials which are worked in a way that reflects her background in traditional sculpture techniques of modelling, moulding and casting.